Published 2025-05-24

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This work of art was donated by a certain person and is a very valuable piece of art. The girl was born to be a work of art, and she was raised to be one.

Her creator was impressed by the work No. 10 in the past and wanted to exhibit the girl as a work of art in the same way. And he came up with a decade-long plan. That was “to raise one girl to become a work of art.

Everything about the girl was done according to the plan, from the mating of the parents to the birth of the child. Even after the birth, she was not registered in the family register and was raised in secret. Therefore, she had no family register and no human rights from the beginning. From the time of her birth, she was less than a person, a work of art.

As the final touch to No.30, the creator applied a special “processing. The skin of No.30 is as hard as a stone statue, and its whole body is as stiff as a stone.

Since the skin is only hardened, the skin has sensation when touched, and if you listen carefully, you can hear breathing and heartbeats. However, if you only look at it, it is indistinguishable from a real stone statue. Moreover, this process is completely irreversible and can never be undone again: not only was No. 30 born as a work of art, but it can never become human again.

Such is the petrification process, but there is a way to temporarily return to normal. It is to climax. The petrification is lifted for a moment when the body, hard as a stone, is hit with a rotor or an electric hammer and climax is reached.

However, only the part where you climax is released. If you come in your pussy, only your pussy will be petrified, and if you come on your nipples, only the area around your nipples will be petrified. It is possible to return to the human form by applying a pleasure current to the entire body and keeping the body in a constant state of come, but it would be impossible to live as a human being in such a state.

By the way, the part of the body that is turned to stone is rutting like crazy and is tormented by a strong desire to climax. This is probably an instinctive reaction of the body wanting to return to normal. But of course, a body turned to stone cannot comfort itself. The work No. 30 is a real work of art that has to be managed by human hands.

Under normal conditions, she is petrified to the head. Her petrified areas are freely controlled by passing pleasure currents through the restraints to specific areas.

When the work of art was human ...... excuse me. She was not human from birth, No.30 was previously raised in a secret mansion to be a work of art, she was assigned to be a work of art on her 18th birthday and was educated in various ways to become a work of art.

Surrounded by servants (all women), her body was developed and trained as a virgin on a daily basis, and she was also taught sexual knowledge and service techniques to please men. Of course, I was trained knowing that I would never have intercourse with a man in my life. Thanks to this, she grew up to be a dusky girl who loved sex, even though she was a virgin.

At the mansion, she was also trained in piano, violin, table manners, horsemanship, art, and many other subjects. All of these educations were to enhance the value of No. 30, a work of art. They are tutored and educated at the college level.

She had little freedom in her life and the mansion was equipped with surveillance cameras everywhere. She rarely had any contact with men, and the Kano enjoyed watching them remotely. When exhibited as a work of art, she would enjoy a variety of reactions, from the ubiquity of being seen naked by a man to seeing a penis for the first time.

When given the occasional freedom, she would take walks in the courtyard of the mansion or stay in her room and masturbate. She never once went outside the mansion. Even her personal belongings were all she had to display as works of art, and she was not allowed to express herself in any other way.
When she was being raised in the mansion, the servants called her “Ai”-sama. It was given to her as a temporary name by the One because He wanted her to become a work of art loved by everyone. She looked forward to becoming a work of art more than anything else, and felt it was the ultimate glory.

But that is because she was raised to be that way. She was not even allowed to question it. Perhaps she had a life as a normal girl.... If you think so, you may enjoy the work No.30 more.
Such a girl who was raised with great care was donated to the Girl's art museum because the creator thought that “her place should be in a museum.

Incidentally, No.30 is placed in front of No.10. No.30 adored No.10 as “Ayaka-sama” and said she was very honored to have it displayed in front of her.
...Well. I wonder how No.10, who is shown a girl whose life as a human being was taken away by her own fault, will look at No.30 with what kind of feelings she will have as the catalyst for the creation of all the works of art.

Pretty hot, thanks a lot for all the effort and sharing, very nice :)

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