Recontextualizing an anthropomorphic film character into a reality intersected by a human woman appears to be a precursory effort to bring feminist gender theory into a storyline that originally largely failed to address gender roles while simultaneously fixating upon animal species as cross-cultural metaphors. In hybridizing these two worlds, anthropomorphic and anthropological, readers can see clearly delineated hyper-patriarchal gender roles with, curiously, blended shades of infantilism and erotic-maternalistic behaviors, as evident in the assistive urination panels; feminism literally triumphs over side-effects of patriarchal-mandated aggression overstimulation. Although these particular graphic arts are insufficiently developed, the intersectionality of race, sex, gender, and even species merits further exploration through the lens of transactional feminist theory.