From the "Girl's Art Museum - Decoration" series

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Story (34 pages)
> Published: 2026-06-20
> Source: https://www.fanbox.cc/@tsunakama/posts/12111858

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Artwork
> Published: 2026-06-13
> Source: https://www.fanbox.cc/@tsunakama/posts/12074880

Today, I’d like to introduce the “Entrance Gate” located outside the Girls’ art museum. The Entrance Gate separates the museum grounds from the outside world and serves to deter intruders.

However, this place is an isolated island cut off from the outside world. Security is merely a pretext; its primary function is likely purely decorative.

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This is the entrance gate. As befits an art museum that exhibits young girls as works of art, many young girls have been incorporated into this structure as well. With the metal frame decorations harmonizing with the girls’ bodies, this entrance gate is truly worthy of being the face of our museum.

However, these girls are not simply a collection of young girls, like other exhibits. That’s because they are the families of the perpetrators of the “Work No. 10 Attack Incident.”

From here on, the story goes back a little in time.

The “Attack on Work No. 10 Incident” is a major event that has gone down in the history of the Girl Exhibition Hall. The Girl Exhibition Hall was founded about a dozen years ago. It all began when a certain billionaire became madly infatuated with a single girl. The billionaire went to every possible length to make her his own.

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He was reportedly particularly drawn to the sight of a young girl “writhing in pleasure even though she had never climaxed once in her life.” Wanting to preserve the beauty of such a girl forever, he established a museum to exhibit her as a work of art.

This marked the beginning of the Girl Exhibition Hall. This mansion was once a private residence where the founder and a select group of enthusiasts would gather. However, a few years ago, following the founder’s death, it was transformed into the public art museum it is today.

However, an incident occurred during the renovation work. The girl’s relatives stormed the Girl Exhibition Hall in an attempt to rescue her or seek revenge. And during that attack, the girl accidentally reached orgasm.

A “work that had never climaxed once since birth” had inadvertently climaxed… This enraged the enthusiasts. The girl, who had originally been scheduled to be exhibited as “Work No. 01,” was subsequently stored in a dimly lit basement until she could be displayed as “Work No. 10.”

It’s turned out to be a bit long, but this is the full story behind the “Work No. 10 Attack Incident.” And the women on display at the entrance gate are the families of the attackers. In other words, they are being held up as an example of retribution against the perpetrators who carried out the incident that led to the destruction of the artwork.

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Of course, they weren’t the ones who carried out the incident. It might sound strange coming from me, a staff member, but I can say that they themselves did nothing wrong. However, their entire clan was rounded up, and even women and children who had nothing to do with it were made examples of. The incident that brought No. 10 to climax enraged so many people in power to that extent.

That said, the clan that once raided the museum now stands guard at the entrance gate. This anecdote has been very well received by our visitors. If another raid were to occur, they would surely risk their lives to protect the museum and its artworks.

Now, they are not merely being crucified. Their entire bodies have been coated with a specially formulated drug. This drug was originally developed to forcibly induce estrus in large livestock; it is said that animals treated with it become so aroused that they continue mating until they pass out.

This formula has been further enhanced and modified; a mixture containing aphrodisiacs, menthol oil, and anti-itch medication is thoroughly applied to their entire bodies three times a day. In this unbearably agonizing state—completely immobilized and subjected to “orgasm-blocking pulses” coursing through their bodies—they are left to suffer in silence.

In an attempt to endure this agony, they all grind their teeth and gasp for breath. They are absolutely forbidden from climaxing. It may sound simple when put into words, but the suffering must be unimaginable—on par with the worst forms of torture in the mortal world.

However, they are not even allowed to vocalize their pain. Various rules are imposed upon them, and they must strictly adhere to them.

For example, they must not cry out on their own, must not be rude to visitors, and must express gratitude no matter what is done to them… and so on. Only if they manage to follow these rules for an entire day are they allowed to climax for just one minute.

The reason they are forbidden from climaxing stems from the fact that the artwork they destroyed—Artwork No. 10—was an artwork that permanently prohibited climaxing. That said, since they can climax as long as they follow the rules, this might actually feel easier. But that’s not the case.

With the reward of just one minute of climax dangling right in front of them, they must accept any and all injustices. No matter how painful it is, no matter how much they want to climax, they aren’t even allowed to voice it. And then, that reward right in front of them can be taken away with the slightest ease, forcing them to endure another day of restraint… Such endless torture might actually be even more agonizing than No. 10.

好快的搬运

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